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So when we first started we were basically hoping our best to be like Lou Donaldson and Charles Earland, these heroes of ours. I had always been in bands that had sort of a set repertoire and you learn the songs if you practice them a lot. It became more personal to all of us. Stanton Moore had been on my records and he lived down there, Johnny Vidacovich, who I always loved, and I was going to Jazz Fest every year. He was able to catch up with Tahoe Onstage to discuss his time with The Greyboy Allstars, playing in New Orleans and what he likes to listen to. What are you still trying to learn about or trying to improve upon in your own playing? How was New Orleans stayed with you since leaving? Your email address will not be published. The band celebrated its 25th anniversary in and over that time period released three more critically acclaimed albums and dazzled audiences with infectious live shows. Well, he is just a little bit older than the rest of us. I started my own band and Cochema was the obvious choice. I was playing keyboards in sort of different punk rock bands and things like that, like sort of unrelated, but I always had an interest in jazz and funk music. Like, well, we could make this better. What were you doing right before you started getting in with Karl Denson and the rest of The Greyboy Allstars? I was in a band with Chris Stillwell and our drummer at the time, Zak Najor, and that band sort of got absorbed by The Greyboy Allstars when we first started. Like the musicians he sought inspiration from, Allstars keys man Robert Walter has been a heavily coveted session musician, collaborator and bandleader throughout his time in The Greyboy Allstars. They were maybe not popular with the general public, but they were sort of our jazz and funk heroes. Going back through your history I noticed that Cochema played with you the earlier years of 20th Congress. I heard you mention that Karl Denson was very influential in helping you play improvisationally from the start? And now I listen to a lot of reggae and German electronic music and all stuff all over the map. You might as well learn it today. Where do you got to get excited about music with contemporary artists? We were learning super rudimentary stuff, trying to read books and learn standards and stuff. So it sort of opened up in ways without sort of betraying the basic tenants of the thing, which is it should be danceable and it should also have some improvisational content. How did you use that city to your artistic advantage? Part of what gave the band our sound is we did have a set of influences that we were very protective of. You lived in New Orleans for 10 years and were around so many musicians and legends. Robert Walter. So I figured I might as well go to where it really is. You imitate for a while and you start to sort of absorb it and speak the language rather than just spitting it back. Leave a Reply Cancel reply Your email address will not be published. So I always looked up to him just at his way of pacing, his solos and his sort of freedom to let things happen. I looked at it sort of like it was my grad school or something. An eight-year resident of Lake Tahoe, he now lives in Denver, Colorado. So he had more experience just playing gigs and improvising and sort of not having to have things planned out. That was a gold standard and we were always looking to sort of refine our stuff until we got there. Save my name, email, and website in this browser for the next time I comment. Everybody writes music. Over the years, I build up and I keep working on my improvisations, they get better, you know, after a couple of years, then I started feeling like I could really do it. These things were sort of like things to avoid at all costs and it helped us define it as something that had a real point of view. It was about things happening in the moment on the bandstand. The Greyboy Allstars have a quadrennial show Saturday, Feb. Rss Facebook-f Twitter. I always liked the combination of the two, jazz and funk music. Can you expand on that? Then it turned me onto this whole other world of music with the improvisation and this sort of dance element. Twitter {/INSERTKEYS}{/PARAGRAPH} How are you challenging yourself? So we each were together probably as much as I have been with Greyboy, at least in the years of really touring in a band, doing it hard. {PARAGRAPH}{INSERTKEYS}One of the only things that might be cooler than the other side of the pillow is The Greyboy Allstars. I played with probably better players and I probably played with people who on paper I should get along with better. But because of the connection with funk and blues and sort of, like a little less virtuosic music, you know, we sort of found something that we could relate to and we felt like we could find our own place in. But as times have gone on and we got older, we found graceful ways to incorporate our other influences and we all like a lot of different music. The other thing is that everybody is sort of leader in their own world. It used to be all sort of s, organ records. Can you talk about how you linked up with him and what you like about him?